Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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william r clark
eskimahuset,igloon ar giort av snoblock,som ar utskurna ur den harda snon och upplagda i halvklotform

ID: 59218

william r clark eskimahuset,igloon ar giort av snoblock,som ar utskurna ur den harda snon och upplagda i halvklotform
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william r clark eskimahuset,igloon ar giort av snoblock,som ar utskurna ur den harda snon och upplagda i halvklotform


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william r clark

1829-1912  Related Paintings of william r clark :. | nordenskiolds fartyg vega ger salut,da det rundar asiens nordligaste udde kap tjeljuskin i augusti 1878 | lantmatare i san fuanbergen i colorado 1876 | man tror att alexander den store undersokte medlhavets botten i en dykarklocka omkring 330 f.kr. | fuchs karavan av snovesslor startar mot sydpolen fran shackletonlagret vid weddellhavet | sex ar fore laing utforskade foseph ritchie och g f lyon fezzanomradet dar de besokte staden murzuq i det inre av libyrn. |
Related Artists:
Hippolyte Sebron
(1801-1879 ) - Painter
MALOUEL, Jean
Netherlandish Gothic Era Painter, ca.1365-1415 North Netherlandish painter, active in Burgundy. He was the son of the heraldic artist Willem Maelwael and uncle of the Limbourg brothers. First recorded as a painter in 1382, he is then documented on 20 September 1396 for a commission to provide designs for textiles with decorative armorial bearings for Queen Isabeau of Bavaria, wife of Charles VI, for which he received payment on 27 March 1397. By 5 August 1397 he was in Dijon, where he succeeded Jean de Beaumetz as court painter and Valet de Chambre to Philip the Bold, Duke of Burgundy. Malouel was highly paid, and his annual pension was considerably more than that of Beaumetz or of the sculptor Claus Sluter. One of the first works Malouel produced for the Duke was a painting of the Apostles with St Anthony (untraced), paid for on 11 November 1398, which the Duke is known to have kept in his private oratory. On 18 March 1398 wooden supports were purchased for Malouel to paint five large altarpieces for the Charterhouse of Champmol, outside Dijon. The subject-matter of the paintings is not specified in the document, although the dimensions of the panels are given. The Martyrdom of St Denis (Paris, Louvre; for illustration see BELLECHOSE, HENRI) has been identified as one of these five panels, on the basis of its possible provenance and its dimensions, which correspond approximately to those given in the document. In May 1416, however, Henri Bellechose received pigments to 'perfect' a painting of the Life of St Denis, and this document, in conjunction with the earlier one, has been interpreted to suggest that Bellechose completed a work left unfinished by Malouel.
Luigi Crosio
(1835-1915) was an Italian painter who lived and worked in Turin, Italy. He died in Turin and is recorded as having been born in Alba, but the town of Aqua a few miles north of Alba claims Crosio was born there. He attended the Accademia Albertina di Belle Arte in Turin. His immediate work afterwards tilted towards commercial paintings, but thereafter he specialised in genre painting with romantic 18th century scenes and portraits or period characters or Pompeian scenes. He also liked the opera and depicted several scenes from popular operas. He was also listed as a lithographer and was involved in publishing books and images. He had several daughters and one of them, Carola Crosio, married the famous mathematician Giuseppe Peano (of Peano axioms fame) in 1887. In 1898 he painted the famous Refugium Peccatorum Madonna (i.e. Refuge of Sinners Madonna) which was later also called Mother Thrice Admirable Madonna.






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